#obviously this isn't true to all the comics

[excarow]

Damian being raised to see himself only as a weapon and later being taught that he's more than that VS Tim being raised to see himself only as a tool and being reinforced of that belief by the same people that taught Damian to love himself is such a good parallel holy shit.

Like, both of them were told that they had to have Purpose™ by their parents, but only one was later told that he could be loved for the sake of being loved while the other was only proved that his parents were right.

[coffeeworldsasaki]

It's totally predictable but I still got a couple minutes of confusion when someone didn't agree with me when I said that people think Dao Is a dark fantasy unlike all the games that came after just because there's women raped and used to breed

[end-orfino]

ahhhhhh i remember why i dont read comics & books and watch movies as much as I should. Because they make me lose it

[theknightlywolfe]

Tangential thing, but isn't it better monetary return these days to negotiate an appearance with a line (that can't be cut) in the video production of your novel than the rate being WGA would get you for the writing credit, especially as we are in the age of split writing credits?

Curiosity question, because I know you work in both writing and film:

A book series I like is being adapted for film, and I have heard the author is working as a creative consultant rather than a writer because she isn't part of the WGA. Are book authors allowed to join the union if their book is being adapted for film? Or is there some technicality that would make it too difficult?

There's absolutely no reason a novelist can't become a Writers Guild member. I certainly did that when Michael Reaves and I pitched "Where No One Has Gone Before" to ST:TNG. (Michael was Guild already.) But it depends on what company you're working with, and what they want from you—or don't want.

The issue splits into two parts.

First of all: to qualify to join the Guild, you must accrue a certain number of "units" of TV, film or other Guild-covered media work within a three-year period (and then pay an initiation fee). The rules about qualification are here. You accrue these work units by selling your writing to a company that's signatory to the Guild's minimum basic agreement (MBA).

So as an example: if I was a series-owning novelist who wrote a screenplay for a feature film, or a bible for a miniseries of four hours or more, and sold either of those to an MBA-signatory company, that would be my twenty-four qualification points accrued immediately, and I could apply for Guild membership right then. To join I would simply fill out whatever paperwork was necessary and send the Guild my initiation fee, and that would be that. (US west-coast writers automatically join WGA West, IIRC: east-coast and international writers go to WGA East.)

But first you have to make that sale.

If the company that's adapting a creative property you own doesn't want to buy a script or a bible from you, that's their choice. The adapters may have a writing team or room they prefer to work with, rather than trying to train the novelist in screenwriting: or they might have other reasons not to commit to buying a script from the series owner. The novelist would then have to decide in what other way they want to interact (creatively speaking) with the people doing the adaptation.

In the case you describe above, if what you've heard is accurate, it sounds like the company the writer is working with has decided not to offer the novelist the opportunity to write a script for them. In such a situation, taking a creative-consultant job may be the best deal the novelist can leverage. You do, of course, also get novelists who actively don't want to be involved in the screenwriting process—either for lack of script experience or some other reason—and prefer a consultant position, especially if it comes with some kind of producer credit.

In any case, hope this makes the whole issue clearer!

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[battymommastuff]

The Fire-Eater

Batmom x Batman, Batmom x Batfamily

Prompt: While digging through the attic, Dick Grayson and Jason Todd uncover a secret about their adoptive mother. A secret that reveals the true, and dark story of the most loved couple in Gotham City

Masterlist

!!DISCLAIMER!! - This likely won't be comic accurate (Obviously), but I did draw inspiration from the comics. If you are looking for something accurate, then this fanfic isn't for you.

*cough*

"Jesus Christ, you'd think they would dust up here once in a while." Jason rasps as he waves his hand in the air to clear the cloud of dust. Dick just rolled his eyes and lifted another box out of the way, causing another cloud of dust to poof into the air, "Where is this damn blanket anyway?" He asked, ripping open an old box to look for the blanket in question. Why? You, their adopted mother, is currently carrying their youngest sibling. The first, and only pregnancy of yours. Seeing that you aren't as young as you used to be, the pregnancy is a high risk. As per doctor's orders, you were to remain on bed rest now that you were close to your due date.

Before that, you'd been working on the nursery. Everything was perfect, but you were missing one thing. Bruce's baby blanket. A blanket you'd only ever seen in pictures, but knew that you wanted it for your future child. Unfortunately, that didn't seem to be possible. All of your children were far too old for the blanket when they were adopted. Now you had your baby on the way, and you wanted that blanket. To prevent you from climbing up there yourself, your two oldest sons decided to.

"Some of the boxes are older than me." Dick joked as he held up a box of old photo albums. The date on the box was ten years before he was born. He set the box down, and kept shifting through the boxes. They were looking for a box with Bruce's birth year on it. All of his baby items were stored there. He moved another box then frowned when he saw one tucked in a far corner. It was opened, and he saw a black outfit lined with red sequins, an outfit he swore he's seen before...a circus outfit. What caught his eye next was a rolled up poster, "Hey, Jason." He called out while picking up the poster. Dick unrolled it slowly, then felt his heart sink to his stomach.

A poster for Haly's Circus. The Circus he was apart of before his biological parents died. He still remembered that day as if it just happened. On the poster was a woman eating fire. Her outfit, a black leotard with red sequins lining it. (H/C) hair, and (S/C) skin. Unless Bruce had a certain type, there was no way it couldn't be you. How? How was this possible? He remembered meeting you that night. You were dressed as if you just walked out of business meeting, and you were with Bruce. The date on the poster dated years before you ever met Bruce.

Dick set the poster down right as Jason approached him, still grumbling about all of the dust. He picked up a small book next. Opening it, he found pictures. Old pictures of you, and other members of the circus. You and Haly...you and his parents. You knew his parents? One picture was of you, his dad, his mom, and him as a newborn. You knew who he was before you ever met him? How come he never knew this? Why did you leave the circus? How did you end up marrying Bruce Wayne of all people?

"Holy shit, Mom never told us this." Jason said while holding up the torches and an old bottle of alcohol. What they saw in the bottom of the box made both of their spines tingle. A mask...a Court of the Owls mask. Dick knew the story, and he knew his lineage. He knew his potential fate, had he never been adopted. Why did you have a mask? All of these questions in his head, and he knew the one person who could answer them.

He shoved all the items back into the box, and stormed out of the attic with it. Dick wanted answers, and he wanted them now. He carried the box through the manor with Jason on his heels, while holding back his tears. He felt lied to? Betrayed? He didn't know, but he needed to know. He felt like you were an entirely new person now. Dick opened the door to your bedroom. You were watching as Stephanie painted your toenails, and Damian was lecturing you on your health.

"Oh! Did you-..." You cut off when you saw the box he was carrying. It'd been years, and you forgot about that box. Honestly, you thought you threw it out, "Dick..." Your oldest son walked over and slammed the box on the bed, causing your two other sons and Stephanie to glare at him.

"Start talking, Mom...right now."

[triptychgardener]

What does becoming a furry in Homestuck mean? (In reference to your recent Nepeta post)

Okay so the thing is the way that Homestuck treats furries is honestly kind of equivalent to how it treats queerness. As in, Homestuck initially treats it like a joke or a thing to mostly sneer at. Homestuck was very much part of the wave of disaffected ironic assholes of the Newgrounds and Something Awful type, especially to start with, and that sort of relied on shitting on demographics that were seen as weird and permissible to find cringe and make fun of.

Jade comes onto the scene, and a lot of people sort of groan at her whole furry shtick. Jade is largely, however, just a pretty sincere character, and even though she feels some embarassment over the idea of BEING a furry (i.e. her distaste for the idea of actually wearing a fursuit) she nonetheless begins the admirable refrain of combining the finest qualities of humanity with the elegance and nobility of the animal kingdom.

Her earnest affection for all things anthropomorphic sets up more than just her excellent taste. And as much as she is a bit of a pattern-breaker, one pattern she doesn't break is that of having a Signature Animal.

The four beta kids have a bunch of different things associated with them: the four elements, four items, four musical instruments. But the animals are practically integral to who they are as people and characters.

John's attachment to the bunny is obvious, and helps to spur on one of the most emotional scenes in the comic. (For him. Him specifically.)

It's also something deeply precious to him, as it's a gift from every single one of his friends in a very roundabout fashion!

For Rose, Jaspers is half the reason she decided to play the game in the first place. She missed her dead cat so dearly she was willing to play a game that might end the world for it.

(Pictured above, Rose lying about her feelings, water is wet.)

Dave seems to at least feel some affection for crows, or at least shame when he kills them.

And his fusing to become Davesprite is what allows him to survive as a "copy" of the original Dave. Once again, Dave's disaffected irony giving way to the necessity of becoming a furry to save the world.

And for Jade, of course, Bec.

And it's notable that, by the end of the comic, at least THREE of our main beta kids have merged with their animals, and, in a way, become the best versions of themselves.

Jade obviously gets to achieve her dream of becoming a furry, and in doing so gaining power and agency that she was always denied due to her position in the story.

Davepeta, as I stated in a previous post, is the true Final Form of Dave, the pawn that made it to the end of the board, the only surviving character from Homestuck's "original" timeline, and is truly happy with themselves.

And Jasprose appears to have fully hurled herself through the walls Rose put up around herself to protect her image, and thus absolutely mortifies Rose. She just seems to be having a great time.

Homestuck evolved from a story that was deeply cynical and mean-spirited about furrydom, to a story where three of our four starting protagonists, in their truest most powerful forms, combine the qualities of man and beast to achieve self-actualization. And to bring this back around to queerness, these three characters also happen to be canonically queer. So there's that.

This isn't even to get into how this might relate to Troll Lusii and the concept of "growing up" to be more like one's parent on a planet raised by animals, but that's for another day.

[celaenaeiln]

who do you think each bats' favourite sibling is canonically? i haven't seen much about this outside of super fanon stuff so i'm curious

Let's start with the easiest one!

Tim - Dick

Tim's favorite sibling but also favorite person ever is unquestionably, undoubtedly Dick. This boy adores his big brother. He's full-on obsessed with him.

His thoughts on Dick are just a compilation of praises about him and his inner dialogue simply consists of a series of hero worship.

Robin (1993) Issue #32

Red Robin Issue #23

Sometimes I ponder about Dick and Tim's relationship because I feel like what Tim wants from Dick isn't just a brother, I feel like he wants him to be a parent which is part of the reason why Tim and Damian don't get along.

Because the truth is, before Damian came along, Tim was Dick's robin first. And Tim loved it.

(This post was on hold for months because I needed that exact panel where Tim says to Dick "It's obvious he wants us to be the new batman and Robin." BuT i CaNt FiNd It. I literally give up, if anyone know what panel I'm referring to people reblog it with the panel and I'll upload it with the post)

Dick was Tim's Robin and everything he did he wanted to live up to him

Batman/Catwoman: The Gotham War: Scorched Earth

Look at what he says about Dick:

Batman: A Lonely Place of Dying

Even before Dick and Tim met again, Tim started working out just so he could be like his idol. Tim literally says to Dick "My grades are okay but I studied because I wanted to just like you."

You know what they say about idols and pedestals and never meeting your heroes? The opposite is true for Tim about Dick. After meeting Dick for the second time, his idol worship grew so much it shattered every ceiling in existence.

Tim loves him so so much. People sometimes misunderstand and think that Tim hated Dick when he fired him from Robin but it wasn't hate that Tim felt. It was jealousy. Jealousy over Dick choosing Damian over him.

Tim even solely used the Red Robin persona for the mere reason that he didn't want to dirty Dick's Robin by stigmatizing it with his less ethical actions.

Damian - Dick

Obviously. The only reason I said Tim was the easiest is because Tim's inner and outer thoughts about Dick can be complied to create volumes of fanbooks of flowing poetry about him. Damian on the other hand is more of a tsundere, but there's still only one person who he loves aside from his father and even more than.

Robin War Issue #1

If there were any doubts, I don't think this panel could be any clearer about who Damian's favorite is.

Stephanie - Cass

Batgirl (2000) Issue #38

Cass - Stephanie

Batgirls (2016) Issue #14

Damn.

Steph and Cass are each other's favorites

Detective Comics (1937) Issue #945

Duke - noone? everyone?

Like actually I can't pick out one person Duke likes the best. You're either on his wavelength or he's snarking you off it. He's the type of guy where everyone likes him and he's chilling by himself, doing whatever he wants.

Jason - Dick

Out of the batkids who did deal with Jason during his worst phase, Dick is unilaterally his favorite. Sometimes when I think about Jason's relationship with Bruce, I'm reminded of how much Jason and Bruce are alike sometimes because Jason's view on Dick is almost identical to Bruce's view on Dick and they even have similar reactions. We all know that Bruce hero-worships Dick. Time and time again, Bruce emphasizes, stresses, and talks about how amazing Dick is and how he's so much better than him, and constantly places Dick on a pedestal. The issue comes when Dick doesn't want to do what Bruce wants him to do because he believes that Dick is an extension of himself, his better half, and he's furious when Dick doesn't follow or accept what he's doing because Dick should know what Bruce is trying to do because he's supposed to be better than him, how dare he stop him, etc.

Jason acts in similar ways to Dick. There's a whole issue where Jason gets fear gassed and one of his biggest fears is Dick. More specifically, it's about how amazing Dick is and never living up to him because in Jason's eyes, Dick is absolutely perfect. There is no one better than him because he is the peak of everything. He places Dick on the highest pedestal there is and he kind of safeguards Dick there in his heart. He used to get really angry because he believes Dick is the best but also refuses to let Dick be anything other than the best. The best way I have to explain them is Jason holding Dick prisoner as a result of his hero worship.

Once Jason is slightly calmer, his relationship dynamics with everyone became really clear, as well as what he thinks of them and it's shown how the way he treats Dick is just different.

Task Force Z Issue #8

Grayson Issue #12

"You don't do that to your--you don't do that to another Robin!"

He was going to say brother 🥺🥺

In this scene, it's pretty obvious that Jason loves Dick a lot but he's obviously not going to be all fuzzy feelings about it because he likes to be edgy. Jason's a little confusing in general for people to understand because they expect him to be nice and open but Jason's not nice, he's just nicer to the people he likes. Once we start understanding that, he becomes clearer.

And to Dick -

Nightwing (2016) Issue #15

-He's exceptionally nicer.

DC's Ghouls Just Wanna Have Fun Issue #1

Another example of why Jason loves Dick the most is because in the comics, Jason doesn't work with anyone in the family unless he has to unless it's Dick because he chooses to work with Dick by choice.

Dick - Tim or Damian

Dick adores Tim so freaking much. He loves him so, so much.

Nightwing (1996) Issue #139

Catch me crying behind my sunglasses at Dick kissing Tim's head lovingly 😭

Robin (1993) Issue #12

I just love these soft touch moments Dick has with Tim. It's so incredibly sweet.

He was Tim's mentor

The New Titans (1988) Issue #65

and a really good one too.

He loves him-

Detective Comics (1937) Issue #696

-so much.

(I'd add more panels but I ran out of image space :'0)

I genuinely cannot say who he loves more at all. I can't even pick. I really do think he loves them evenly because when I think about leaning one side, more evidence comes to mind for the other side like a pair of counter weights.

Damian...I don't really need to say any words because the pictures speak for themselves

Batman (2016) Issue #34

Grayson Issue #12

aldskjdhkdjfhldfah;dh. Look at what he gave his son! A souvenir from the first time his dad met his mom because Dick knows how much Damian loves his parents <333!! There's nothing I can even say more.

Here's my previous post on Dick and Damian's relationship.

[banmitbandit]

Pots 'N' Picks Week 2024: Day 7: Breakfast/Lunch/Dinner/Snacks/Dessert/Family/Goodbye

[Dungeon Meshi spoilers (with a big amount of canon divergence) and a long, long caption beneath the Keep Reading]

November 20th, 1484 Dear Senshi, It's been a little over eighty two years since you've been gone. In that time, Merrywinn, the newborn baby you held in your arms days before you passed, became a great-great-grandmother, and her funeral last week was as rancorous as every other half-foot funeral we attended. Soon, it will be my one thousandth birthday, and I can only hope that, like you and Marcille, that's when this curse will finally be lifted, and I can see you again. If that's true, then that means I'm the beginning of an end. Instead of twenty one years, Laios will only have to wait three until he dies after me, and Falin will only have to wait three after that. In twelve years from now, Izutsumi will pass on too, and the six of us will get to share a meal together once again. I've missed your cooking, sure, but most importantly, I've missed you. Do you remember when we first shared that bottle of wine in my new house in Kahka Brud, over nine hundred years ago, before we had the slightest idea that something was wrong? I told you that I didn't want to make you feel the way I felt when Fayfinn left me. You said you didn't care, that it was worth whatever small amount of time you had me. Obviously, it turned out that fate had different plans for us, that the Winged Lion had cursed Marcille too, that we'd each live as long as she would. It's been hard, but since then, you've been there for me every step of the way. When Fayfinn passed, when my girls passed, when their children passed, and theirs too. You've been there for everything, and I'm thankful for it, from the bottom of my heart. I knew I wouldn't be prepared to lose you, and I wasn't. But no matter how much I hurt, Izutsumi was worse, even if she'd never admit it, and I had to be strong for her, too. She's strong and independent, just like she's always been, since the day we met her, but you were the closest thing to a father she ever had. She loved you, Senshi. She said so herself at your funeral. I just hope she doesn't miss me enough to cry at mine. I don't care what dwarves or tallmen or elves think, you and I both know funerals are supposed to be celebrations. Fun is in the name, isn't it? I haven't been okay in a long time, but these days, I feel somewhat peaceful. I have lived my life to the fullest, like any good half-foot should. My birthday gets nearer and nearer with each passing day. Tomorrow, Lochlee, Merrywinn's great-grandson, is helping me collect my things so that I can return to Merini for Laios and Falin's birthday in a few days, and I plan to stay there at the castle until my time is up. I've packed the cheesecake recipe you perfected, and I'm going to sneak it to the cooks whilst Laios isn't looking. I'm sure he'll end up eating yours and Marcille's portions too, but I know you won't mind. After that, it's Marcille's birthday. Then Izutsumi's. Then mine. I'm looking forward to it; like funerals, birthdays are for celebrating. Even elves know that. I can't wait to see you again, Senshi. Yours, -Chilchuck Tims

An AU I proposed back in the Chilshi Nation server a while ago seemed to be a good way to break my heart when rounding off Chilshi week. A lot of people bring up the tragedy of Chilchuck and Senshi's lifespans being so different, and it makes me wonder what it would be like if Marcille's misguided wish had long term consequences.

This wasn't intended to be seven pages long with the lyrics to A Thousand Years by Christina Perri shoved in, but that's what it ended up being. The song seemed a little too perfect not to include.

All of my Chilshi posts were drawn up on the day, and I used them mostly as an excuse to experiment, whether it be posing, body types, shading, comic layouts... My later entries got to be a little more ambitious with what I wanted to do with them, so they're maybe not as polished as I would like them to be, but I hope you can enjoy them anyways.

Whilst I'm here, I'd like to extend a special thankyou to @dumblilracoon for dealing with my awful brainstorming and struggling all week. Couldn't have done this without you. And of course, the Chilshi Nation discord server for being so lovely! :)

If you reblogged or liked or commented on even one of my Chilshi week posts, thankyou so much! Chilshi week has been a blast and working on it and seeing all the lovely art and writing that's come up from it has been a treat.

Happy Chilshi Week, everybody!

[saffigon]

I'm a trans man and I'm having a hard time understanding one of your posts.

How can trans Men be lesbian? The definition of lesbian is non-man loving non-man.

I understand he/him lesbians, because pronouns don't equal gender.

But to me calling a trans man a lesbian for liking women seems... against the whole point. Wouldn't that be against their gender identity, since lesbian is non men loving non men?

I am genuinely trying to understand this and don't mean to come off as rude. I am also in the lgbtq community, I'm bisexual and transgender. I try to get your points.

Also if I understood the entire post wrong, MB. I'm just trying to make sure i can accept everyone.

Trans men have had a connection to the lesbian community for decades. The line between butch and transmasc "non-man" lesbian and male lesbian is blurry sometimes. If you want historical evidence, Alison Bechdel has some comic strips from the 1980s and 1990s where male lesbians are present. Trans men who like women often identify as lesbians before they realize they're trans, and so they have an established connection to the lesbian community and continue to identify with it as they transition. Some also feel that their attraction to women is inherently queer and don't really feel like their attraction is "straight". Not all straight men identify as lesbians or lesboys, obviously, but it's an option for those who feel like it applies to them.

Also, "non-man" and "non-woman" just create a new binary that's exorsexist and based in racist ideology if applied generally. Not everyone fits neatly into the "non-man" or "non-woman" categories. Multigender people, for example, may be both man and woman, and don't fit into "non-man" or "non-woman" neatly. To say a multigender person who is both man and woman is "non-man" or "non-woman" erases at least half of their identity. Or demigender people who identify with a binary gender can be both not that binary gender and that binary gender. So saying a demiman is "non-man" is to erase their identity as a man and to say they're exclusively "non-man" is to erase their identity as nonbinary. This is also true for genderfluid and genderflux people who are sometimes completely binary men. To say they're exclusively "non-man" is to erase their identity as a man and to say they're exclusively "man" is to erase their identity as nonbinary.

Post by @this-is-exorsexism and @our-lesboy-experience found here

I'm white so I'm mostly going to point to this post by @moonshinedyke to explain the racism surrounding "nonman" and "nonwoman" as terms. Historically, "nonman" and "nonwoman" have been used to degender Black people and the term also degenders Two-Spirit people. As he points out in the post, it's fine to use the definitions for your own attraction, but using them to define the label as a whole is antiblack.

This isn't to like shame you or anything, just to give explanations and resources as to some things. I would recommend checking out the @/our-lesboy-experience blog to learn more about lesboys in general. This Carrd also has a good amount of information.

As for my own experiences, lesbian was the first queer identity I had. I started identifying as a lesbian since I was about 12. I realized I was trans when I was about 15. I've strayed away from the lesbian label because I felt it was "too gendered" both in definition and in the association. As I've gotten older, I've started to connect with the lesbian community again and feel comfortable identifying as a butch lesbian alongside being a trans man. My girlfriend identifies as a bi lesbian, and we consider our relationship both to be a lesbian one and to be a straight one. My attraction to women is both lesbian and straight and it fluctuates between what it is from day to day. I also identify as bigender and have some connection to lesbian identity because of my gender identity being a little funky.

A better definition of lesbian would be queer attraction to women. It includes people of all gender identities and is generally a good faith way to understand lesbianism.

[jokin-around]

I made a Twitter thread about this, but I've been reading early issues of Batman lately and something I've noticed is how differently the contrast between Batman and "Bruce Wayne" is depicted

obviously, in many things today, "Bruce" (ESPECIALLY in fandom) is often depicted as a happy-go-lucky himbo in order to draw contrast with a grim and "tortured" batman

so how does this hold up when you look at older depictions? the answer: it doesn't. in fact it was almost the opposite.

way back in the very first issues of the official Batman title, Bruce Wayne, no matter WHAT he's doing, isn't the one who laughs and smiles, Batman is.

and these are comics that were published BEFORE the comics code authority caused a dramatic shift in tone

Bruce Wayne (or least the cardboard cutout refered to as Bruce Wayne) isn't nessecarily described as grim, but he isn't a very happy person either, he's still a rich airhead, but not so much a "himbo" or even a dedicated businessman, he's depicted as a BORED, uninterested, aristocrat:

this Bruce seems to spend of his time smoking a pipe at home or mingling with other upperclass individuals, that in-between we tend to see MUCH more often in modern comics doesn't seem to exist yet (in part because the batcave Is non-existent which I suspect has given him a bit more privacy as a character)

MEANWHILE Batman, who's investigates murders every other night almost seems to be having the time of his life:

the early comics seem to routinely depict the burgoise as cold, snobbish & bored, in contrast to batman who seems particularly expressive and joyful, for all we know Batman may partially exist as some millionaires weird passtime, but of course Bruce Wayne (the real guy, not the facade) is written as someone who genuinely seems to care due to his own past experiences:

but , with all of that layed out, one can conclude that when ppl say Batman is the "true persona" ect. originally, it wasn't (just) because of his coping or whatever it was because when he wasn't Batman he was forced to live life as a cold, "useless" millionaire:

"what if a rich a guy gave a fuck?" is still very much the base concept here, but what's surprising is how much BITE there is to it

the concept wasn't being proposed because it's like… a plausible thing to happen or attainable on a personal level, but because the rich reliably and consitently do not care

the rich ppl in this book, "Bruce Wayne" included, are not written to be envied as people. they're written to be insufferable. ppl with endless resources who are still somehow unsatisfied with life and choose to do nothing useful or direct with the amount wealth they've accumulated

but ofc it shouldn't be ALL THAT surprising, Batman debuted in Detective Comics in 1939…. ONE year after the great depression, Bob and Bill had more than a good reason to feel a bit bitter

but rolling back to the point of this analysis, whenever I say "let batman be happy" I mean "let Batman enjoy his job" despite the pain, despite the death, despite the murder, despite the hypocritical nature of it all and how problematic it may be because it's a life he also chooses, not just out of compulsion, but because it's hands on, direct & purposeful. it gives him something to do & it gives him a chance to punch a problem in the face (which may be good or bad depending on what that problem is, but still)

that kind of depiction is what set up the groundwork for nearly every deconstruction that's come since but it's so buried in time at this point that lines from characters claiming bruce "loves being batman" seem to ring completely hollow

tbh, I think the old way of depicting Batman can be ( and as been in some media) woven into the way he's depicted today, in the past Batman was an outlet for every emotion Bruce Wayne had to hide elsewhere, a symbol of empathy, fury and passion, for modern Batman, I imagine those three things still hold true, layered on top of an alter ego that allows a modern Bruce Wayne to be weird and damaged and dark.

so uh, ln conclusion, I think batman enjoying what he does to a certain extent is a crucial aspect of his character that's been lost and withered and forgotten about, let him a have a little fun, we can discuss the ramifications of all that when discussion seems necessary

[gilverrwrites]

Dickies Mom has got it goin’ on

Had to get this convoluted, angsty but fun idea out of my head. One day I might expand it into a better-written, fleshed-out fic, but for now please enjoy my yappy ramblings.

Wally West/BatMom!Reader

CWs: Wally being a not so great friend.

So like, imagine you're roughly late 20s/early 30s and happily married to the love of your life Bruce Wayne, there's an age gap sure, but ultimately that's not important. What matters is that you've made a life with him and his children. You're especially close with Dick, his eldest (late teens/early 20s) as you've known him since he was a teenybopper.

All is well, until one day in true comic book fashion; you die. You sacrifice yourself for a greater cause. It's all very tragic.

A decade later, it turns out fate isn't done with you. You've no idea how or why, but you wake in a coffin one day and have to claw yourself out of it. Cold, alone, and afraid, you make your way back to Wayne Manor. There you're greeted by your husband Bruce, but not really. This Bruce is greying. There are fine lines on his face you've never seen before and a ring on his finger that does not match yours.

You're not mad, it's been 10 years, and he was supposed to move on! But it doesn't feel like 10 years to you, it feels like only yesterday everything was perfect. It's devastating.

Queue Dick finding out. He just so happened to be hanging with his best pal Wally at the time, they both drop everything to rush over in a flash.

Your first night back on earth is messy. It's emotional, and stressful, a hell of a roller coaster. Ultimately, you spend most of it with Dick and Jay who surprise is also back from the dead. Dick is really your emotional soundboard, while Jay offers more practical advice about navigating a world that has gone on without you. He recommends you just take some time off, heal your wounds, catch-up with friends and family. You should learn from his mistakes.

Wally helps too. Primarily in a comedian relief way but also just as a sunny friendly face. His freckles and kind green eyes go a long way in making you feel at ease amongst a sea of familiar strangers.

He's adamant you've met before but you insist you'd never forget eyes that green and it stops his heart. You mean nothing by it, but it means a lot to him.

After you’ve parted ways, Dick makes a point of telling Wally not to flirt with you if he ever meets you again.

“Flirting? I wasn't flirting.”

“I was there.”

“But, come on man she's hot!”

“She’s my mom.”

“But she's our age now.”

“Wally, she's my mom!”

Eventually, after a lot of teasing, Wally surrenders but he deliberately makes no promises. He can't, not when he's been replaying the same 5-second interaction you'd had at Dicks 18th Birthday party many moons ago in his head over and over. He’ll try for his best friend, but it seems to him like this was meant to be.

Bruce may not be in love with you anymore, but he still loves you. So he helps how he can, offers you food and shelter, medical attention, a job, whatever you need to get yourself back on your feet.

You decide to take Jasons advice. Bruce still has a lot of your things; your clothes and your car. You ‘borrow’ gas money from your widowed husband and hit the road to seek out lost friends and family. Sad, but eager to get away from the city that no longer feels like home. You leave your rings with Alfred, a sign to Bruce that you expect nothing from him, that you'll leave him and his new wife be even though it breaks your heart.

The first stop is Dick, obviously, since you have to travel through Blüd. After joining him for a routine patrol, you spend the night on his couch, eating Thai food and talking about his life since you… passed. Nightwing as just finding his footing back then, but now he's a force to rival Batman.

You're two states over when you get a call from a number you don't recognise. Most of the people you know have changed their numbers since you last spoke, so don't hesitate to answer. You're surprised however by whose on the other end.

“Wally West? How did you get this number?”

“From Dick.”

He's not lying, he's just omitting the fact that Dick doesn't know Wally got your number from his phone bill. If he didn't want that info getting out he should probably put his bills somewhere other than a lockbox in a safe and quit being only person in the entire world to still actively use a landline.

His not-a-lie works however, the implication of Dick's approval helps you to let down those mother-appropriate conversation walls.

“Heard you're travelling cross country, any chance you plan on stopping in Keystone?”

“Why? Whats in Keystone?”

“Um, the Patriots?”

“Baseball?”

“And hotdogs! Al who serves em does not skimp on all the toppings, you've gotta try em.”

“You want me to detour in Keystone for baseball and hotdogs?”

“Well, there is something else.”

“And whats that?”

“Guess.”

“Unmmm… You?”

“Ding ding ding. She's smart and beautiful, a woman after my own heart.”

He's cute. So cute. He's no Bruce, but Bruce never made you laugh like this.

“Wally, this is a bad ideas. I was married until like a week ago.”

“And? I'm not askin’ you to walk down the aisle again, just one game and like 20 hotdogs. For me. You don't have to eat that many unless you want too.”

[pumpkinbxtch]

hey, ik requests are closed but if you could do this one, i'll be very grateful. just remember, if you don't want to, you don't have to.

i was thinking if post-trial apollo, meets the reader, after the trial (can the reader be a child of Hades? like a child of Hades would be so iconic), love at first sight (fuck, why is this so cliche 😭😭) and tries to spend more time with the reader. the reader is new to the entire camp thing, and is getting more used to it, and grows closer to Apollo. but he's like scared to admit he's in love bc he thinks, that just like all his past lovers, the reader would run away, or kill herself, or fall into deep trouble, but after some really had event in which he almost loses y/n, he goes all haywire, confessing everything and it becomes a cute, fluffy scene together

AGAIN ik you aren't taking in requests, so if you don't want to do it, it's totally fine. love so many of your fics btw ♥️♥️

i love you, isn't that the worst thing you've ever heard?

— apollo/lester x child of hades!reader

warnings: none a/n: Hello beautiful person. You're seeing this, now you know that I take your request and I want to say why and it's because you asked me so nice that I couldn't resist. I have corazón de pollo which is something like being very sensitive or being warm-hearted. Anyway, let me know if you liked it. I hope it was like that and thank you for reading me, for your support. ❤️ Kisses from Pluto! ha ha

Your legs settled back over Apollo’s knees, and he kept them in place with his hands, letting out a snort.

— You’re pretty comfortable with a god, aren’t you? — His pretentious tone just made you smile and shrug.

— You didn’t move my feet, did you? — you replied in the same tone, and he leaned against the cabin wall. It was true, and if it were up to him, he never would.

— Whatever…— he muttered, watching you lie back down, putting your attention back on a comic book Will Solace had lent you, saying it was based on one of his favorite movies, which made you interested in reading it. You thought you and Will weren’t that different, and you liked him but not in ‘that’ way, just as a friend. After all, Will was becoming part of the family with your brother Nico because they seemed to have something slowly brewing.

— How many times have you said I love you?— you asked out of the blue, still not taking your eyes off the comic. Apollo almost choked on his own saliva.

— What’s that about? — he said evasively. He didn’t want to talk about it because if he remembered correctly, all those times had ended badly. He tried to catch your eyes but found the glossy cover of the comic in the way.

You shrugged and turned the page, continuing with the same topic.

— I heard Nico say that to Will once when they thought I was out of our cabin, but I was just in the bathroom.

— Hmmm. And?

— Nothing, just that Nico doesn’t say it often. I’ve only heard him say it to his sister Bianca, his real sister. Also to Hazel, to me, and to Will.

Now Apollo understood but played dumb.

— I don’t know.

You tapped his thigh with your foot.

— Of course you do.

And obviously, he did, but stayed silent, hoping the comic would distract you enough.

— I think they’re falling in love — you stated, laughing at something you read. Apollo could never understand how demigods managed with ADHD; now, it just seemed like a curse.

— Well, I suppose.

His half-hearted responses annoyed you, and you put the comic down with a frown, and he apologized with his eyes.

— Have you fallen in love recently?

That question threw him off. Apollo gently moved your legs aside to sit on the edge of the bed with his heart racing and a pout on his face.

— Where are you going? — you asked, concerned, setting the comic aside and sitting next to him. Apollo smiled sheepishly. He didn’t like lying to you, but whenever you started guiding the conversation that way, he had to find a way to escape.

— I need to do something in olympus, they just told me.

You made a face and nodded. You never got involved in that; after all, he was a god.

In the end, Apollo sat moodily on his throne, watching time pass at Camp Half-Blood. Since his return as the sun god, things had changed in his heart, so he found himself more in that place despite what the gods said, which reminded him of when he met you.

You had recently arrived and caught attention for reaching an age where any demigod would have died, but shortly after, if not the same day, everyone knew you weren’t just any demigod. You were a child of Hades. Of course, the most delighted with this was Nico, who welcomed you and made sure you were never alone.

Things were fresh, so Apollo ended up in your close circle until it became very close. If Apollo was at Camp Half-Blood, you were with him, and it didn’t take long for him to fall in love with you, though you hadn’t realized it yet.

You felt safe growing up by his side; no one would mess with you since you were a child of the big three and a close friend of a god. Some fools judged you for your company, but they were afraid to approach when you were – according to Apollo – an adorable person.

The god watched through the fire as you thrived in camp after his unexpected departure, and to him, you were doing too well, though some things were too good for his liking, and he couldn’t deny it; you were charming in more than one way, which obviously attracted campers like Harley, that son of Hephaestus who sometimes gave you cute things like that pomegranate made of metal leaves. A gift that seemed very familiar when he saw Leo flirting with Calypso.

Leo flirting with Calypso.

Leo flirting.

The god stood up and admired the scene closely. Harley had blushed cheeks while giving you the gift, and you smiled gratefully. No way, he knew the sons of Hephaestus were bold, but he never imagined someone would be so obvious with you due to your lack of understanding of indirect hints. They approached but never that close, and he should have guessed, but also, he wasn’t one to get angry.

You received the gift and admired it closely, but only thanked him briefly, which seemed enough proof of your affection to the son of Hephaestus, something Apollo obviously loathed as well as keeping him awake the rest of the night.

He didn't know why (well he did) but the god ended sitting at the dining pavilion, his nails digging into the table.

— Everything okay? — Your voice snapped him out of his trance, and he smiled. You always seemed to have a radar for when he was near.

— Will fell in love with Nico, and Nico with him. Do you think they both realized it or just one?— His question took you by surprise, and more than making you think twice, it excited you that he finally answered that kind of question since he always seemed to have a repulsion to them.

You sat beside him, and Apollo gave you a sweet look, waiting for your answer.

— Maybe Nico and Will know, but Will could be waiting for Nico to give clear signals about it.

— Maybe Nico is scared.

— Does he think Will isn’t?

You both fell silent. It was clear; it was in the air, you weren’t really talking about your brother and Will.

— What’s the worst thing he could say to Will? — you asked, your hand reaching for Apollo’s to intertwine your fingers. The blonde swallowed and suddenly felt breathless.

— I don’t know, but I can think of something.

Apollo made a face and turned a little more towards you, his cheeks red and his eyes shiny. He was afraid of hurting you, of things not working out as they did with his previous lovers; he could never afford to make you suffer when he already knew the degree of consequence it would have in his life, but beyond his good or bad karma, he cared about you. He loved you enough never to try to have you.

Your patience was reaching its limit, and although the son of Hephaestus was cute, sweet, a good match… your heart belonged to someone since the first moment you saw him.

—Apollo… —your voice called him with a bit of seriousness, a peculiar tone that made the god realize his time for redundancies was over.

— I love you, isn’t that the worst I could say?

Your eyes widened with hope, and you moved a little closer to him, bumping knees.

— From Nico to Will? — you asked, not wanting to humiliate yourself.

Apollo’s blue eyes examined you suspiciously. The responsibility would fall on him; he was never the best at hiding his feelings, but if your happiness depended on it, the first moment he saw your life in danger, he wouldn’t hesitate to disappear from it. For now, a confession was something very innocent.

The sun god turned to you with a bit more evident confidence and didn’t let go of your hand; instead, he kissed it.

— No. From me to you…

[kerakeriza]

Damian Wayne: The Romantic

ever since damian's inception, he's always had a soft spot for romance, true love, and happy families. in particular, he always wanted his mother and father to make amends and come together to form a happy home, a cohesive unit.

let's talk about it!

(batman v1 #658, written by grant morrison, damian's creator)

as you can see, we get the first inkling of his inclination towards romance with this moment. yes, i know... talia's character was ruined the very moment morrison touched her. it's not as if she wasn't a romantic herself, though.

(batman v1 #240, written by dennis o'neil, talia's creator)

in fact, even bruce was a romantic back then.

(batman v1 #257, written by dennis o'neil)

seriously, how romantic is that? absolute poetry.

it only makes sense, then, that damian ended up the way he did. let's explore that a bit more, shall we?

(batman annual v1 #26, written by peter milligan)

you'll notice that in his earliest appearances, damian's speech patterns were much more... casual. they weren't yet elevated to the levels of a spoiled prince. his message remains, though. if his grandfather loved this woman, why didn't he simply give her a happily ever after? spoken like a true romantic, damian...

(robin v4 #169, written by peter milligan)

in this case, of course, damian is referring to familial love - but it still speaks to his heart. it's a sort of... "love will conquer all" mentality, and it drives him. it's embedded into his character already, and this is only the resurrection of ra's al ghul arc.

...there is more evidence of damian being a sucker for romance in battle for the cowl, but we can all agree to just skip over that, yeah? let's move on to his run as robin.

(batman: streets of gotham v1 #3, written by paul dini)

damian isn't very subtle, but he also isn't very open about wanting romance for *himself.* he obviously does want it for himself - but he's not going to just up and admit it. hence the "what's it to you?"

(batman and robin v1, #4, written by grant morrison)

damian oh-so enjoys the affectionate attention of women. again, he puts up an attitude about it, but it's all to disguise his inner enjoyment of it all.

(detective comics annual v1 #11, written by fabian nicieza)

when faced with an enemy attempting to seduce him, damian is very much *against* being taken advantage of. unlike the woman playfully calling him adorable, this is an actual threat. not only that, but note his exact words - "won't -- feel that way -- yet --"

this is not how he wants it to go. he doesn't want to feel unsafe, in the arms of a dangerous predator. when it does happen - which he expects it to, someday - it won't be anything like this. the only other way for it to be, though... is soft. warm. romantic. most of all, he wants to pursue it when he's *ready* for it. he'll express himself in the little ways, such as asking if katana is single, but he won't make any big moves. he's just a kid, but he's also just not that kind of person.

he's wise enough about romance to understand that he's just not ready for this *yet.*

(you'll notice a distinct departure in how he handles the issue of his own romantic life from here on out...)

(batman and robin v1 #12, written by grant morrison)

this is another instance of familial love rather than romantic love, however... it is also another instance of damian wearing his heart on his sleeve. he just wants to be loved for who he is, it's another piece of his very, very loving mentality. he is a sensitive soul, deep down.

(batgirl v3 #5, written by bryan q miller)

stephanie calls damian out for looking at her chest - of course, he denies it. (he can't have stephanie thinking he's some lecher.) naturally, he denies it by insulting her. that's just about how it usually goes for these two.

(batgirl v3 #6, written by bryan q miller)

at this point, damian has gotten good at using a good bit of teasing to repress his crushes. there's a real air of jealousy in how much he *emphasized* the word "boyfriend."

(batgirl v3 #6, written by bryan q miller)

even dick and barbara seem to agree that robin and batgirl of today mirror the robin and batgirl of yesterday. (if you'll recall, dick absolutely had a huge crush on barbara. it's kind of the whole reason they became a thing after a while.) dick already knows about damian's interest in older women... and given his own interest in older women, i doubt he cares that much - as long as it's just an unrequited crush from damian. (i'm sure dick wouldn't be okay with it if stephanie accepted the affections of an underage boy, even if that boy is damian.)

(world's finest, v4 #4, written by sterling gates)

as you can see, the teasing continues for a while.

(red robin v1 #12, written by chris yost)

damian once again can't behave himself around stephanie, but this time, he's even more forwardly mocking her appearance. well, mostly just her chest, but still. i fear that he knows older women are out of the question, so the best he can do is tease them. it's not as if that sort of flirting isn't being modeled for him on the daily by every vigilante in gotham. he was so much more pure of heart before he met the bats...

(red robin v1 #12, written by chris yost)

at this time, this might've been the *first* time that damian has ever actually given a... compliment? to tim. it's definitely the first time he's congratulated him. what can he say? he loves a little romance, even when it comes to the person he hates most. it probably helps that the engagement isn't to a woman he has a crush on himself.

(superman/batman v1 #77, written by joshua williamson)

as was the case with stephanie, with kara, damian also resorts to teasing - it's a bit less obvious if he truly has a crush on her, but if dick is on his case about it... he's usually right, that's all.

(batman and robin v1 #18, written by paul cornell)

this gives a bit more insight into why damian now chooses to repress his romantic side (and instead resorts to teasing those he has a crush on). of course, he knew his own parents' relationship was complicated... but nothing quite like this. he's had to bare witness to just how fake his father's affections can be towards other women, and he aches at the mere thought of becoming anything like that. he'd rather not date at all then *pretend* to like someone.

he'd much rather pretend *not* to like someone to protect everyone involved from the chaos that their own feelings may bring. he knows it all too well now, what indulging in your emotions can do to people. but his loving heart never left him. he tried hardening it, that's all... but if he truly didn't care about romance anymore, he wouldn't see such an issue with bruce's playboy ways. he's an advocate of true love - not whatever the hell that is.

...i hope that helped to illuminate the ways in which damian explores romance and affection (in many forms)! after ingratiating himself to gotham city, damian found himself repressing his crushes more and more, likely due to the environment surrounding him. the other vigilantes all tangle themselves into knots, and it seems that damian would personally rather avoid coming to terms with his own affections, especially when he knows they'll lead absolutely nowhere. as much as he likes to pretend that he's older than he really is, he's not an idiot. he knows what he isn't ready for, even if he really wants it someday. even if the concept of true love pervades his very mindset. it's something he really, really wants... for his parents, and for himself... someday. when he feels ready for it - ready to accept that it may cause trouble, just as it did for his parents, and for the countless villains he faces on a day-to-day basis. he'll overcome it all when he's ready.

[battymommastuff]

The One I was Meant to Find

Batmom x Batman, Batmom x Batfamily

Prompt: While digging through the attic, Dick Grayson and Jason Todd uncover a secret about their adoptive mother. A secret that reveals the true, and dark story of the most loved couple in Gotham City

Part 1 Part 2 Part 3 Part 4 Masterlist

!!DISCLAIMER!! - This likely won't be comic accurate (Obviously), but I did draw inspiration from the comics. If you are looking for something accurate, then this fanfic isn't for you.

You can swallow fire, you've practically flown through the hair....You've performed in front of millions from age eighteen. You felt like you could handle anything the world threw at you....

Until you entered the Upper district of Gotham City a week after being taken in by Bruce Wayne. The part of the city full of the most lavish, and expensive stores. So many name brands that you only ever dreamed of wearing. Not even Haly himself could afford such luxuries, and he owned the circus. Bruce insisted that he bring you to this part of the city to shop for your new wardrobe. He planned on buying outfits, dresses, shoes, jewelry, perfumes, and anything else you could never need. You tried to convince him to just take you to a thrift shop or some random outlet, but he only looked at you as if you spat on his shoes. 

So here you were, standing in front of a store that you had no business being in. Little did you know, you would be walking into these stores as if you were walking through your home in the future. All in due time...

Bruce enjoyed a cheap glass of champagne while you were given dress after dress to wear. Since your method of employment was no longer safe, he planned on hiring you as his assistant until you were safe to find your own career path. You stepped out in a dark blue dress that fit a little big on you, "Bruce, you really don't have to do this...I mean a thousand dollars for a dress? I'm sure we can find something similar for a cheaper price." You said while holding the price tag. He frowned, standing up from his seat. He walked over to you and inspected the price tag for himself. 

He turned you around so you were facing the mirror, "I think it looks wonderful on you." Bruce said with a smile. He moved your hair to the side so he could zip up the rest of the dress and rested his hand on your hip. You both decided to put off the facade of being a couple while in public. Subtle touches like this were going to happen, but he didn't go too far with it, "I could buy this entire store if I wanted to." He whispered into your ear. A shiver went down your spine, and you bit your lip softly. You knew Bruce Wayne was rich, but just how rich was he? Obviously he was rich enough to keep up his lifestyle as Batman. You turned around, not realizing just how close the two of you were. 

Have you ever had that feeling? That feeling that you were looking at someone you knew? As if you'd been with them a thousand life times. That's what you felt when you looked into his eyes. It was as if your souls found each other once again. You knew the theory of the multiverse from one of the clowns in the circus, he loved conspiracy. The thought of you and Bruce being together in different universes made you giggle a bit, "What's so funny?" He asked, his hand still resting on your waist. 

"Nothing at all, Mr. Wayne." Bruce rolled his eyes then back away from you. You only called him that to be a tease. You two often found yourselves teasing one another. Which is why Alfred was very happy to have the both of you out of the house...so he can be free of the thick tension for a few hours. Now you were walking downstairs to the batcave, dressed in one of your new nightgowns. Tonight was one of those nights where you felt unsafe. Truly, you never felt safe. You knew there were eyes on you outside of Wayne Manor. The only place you felt safe was right by Bruce's side...or Batman's at this time of night. 

"You should be asleep." Batman said as he typed away on the batcomputer. It made you think of the night he rescued you, "You have a busy day tomorrow, and I'm sure your boss wouldn't be happy with you being tardy." He joked then turned to look at you. He could tell instantly that you were scared. He understood the fear. After his parents were murdered, he would be up all night in fear of their murderer coming back to finish him off. Living life having to constantly look over your shoulder was no life to live. Without a word, he stood up while removing his cape. The surprisingly light material was draped over your shoulders to keep you warm. He wasn't going to make you leave. If you felt safe around him, then you could stay. Still in silence, you sat down on a stool next to a table lined with gadgets. You hadn't the faintest clue of what any of them were, but they looked very dangerous. 

Was it strange? That you could picture your life like this? By his side, helping him on his quest for Justice. The Manor already felt like home. More so than the circus ever did. That feeling came back again. The one where you felt as if you've been through this before. As if every choice you've ever made led to this very moment. Led you to Bruce. 

"Do you believe in soulmates?" 

"No." 

Your mouth formed an O shape and you awkwardly nodded. That might have been a question for Bruce Wayne not Batman. You learned quickly that the two were vastly different people. Bruce almost felt like the mask while Batman was truly who he was. Sometimes you saw a mix of the two...which you favored. 

"Y/N. I'm not someone you can love. My life and what I do will only bring you more danger, you will never live the happy life you deserve to live. I can never make you happy, and can never give myself to you fully. I'm sorry." 

Being rejected before the first move was ever made never felt good. You felt your heart shatter at the same time that your eyes began to water, "R-Right...I was dumb to ever think otherwise." You said while sliding down from the stool, "Goodnight...Batman." You whispered and swiftly left the batcave, passing Alfred who instantly noticed the tears falling from your eyes.  He could only shake his head as he made his way down the stone steps. 

"Lying to yourself and to her will only make it worse, Master Wayne." Alfred said as he set down a fresh cup of tea next to Batman. Nothing was ever openly spoken, but it was obvious that Bruce and Batman both had feelings for you. Everything about you just drove him insane. He never believed in soulmates until he met you. He never thought that there could be anyone in this world made for him. Yet there you were, and it terrified him. How could he ever keep you safe? Once his enemies knew of you, you were going to be the target. The Court was already going after you, but he had so many more that would love to watch him hurt. He knew if he let himself care for you, it would only end with him losing you. 

And he couldn't lose you....

TAGLIST

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@grimharuspex in the comments of that @zoe-oneesama post said it the best; Butterfly should’ve been Emotion and Peacock should’ve been Desire. I know that Zoe has a limit on what canon she changes for her comic which I respect/appreciate given the thought she puts into it (even when canon’s various nonsensical magic rules are especially grating like this) but how do you think things would’ve gone in-show if this was the setup from the get-go? On that note, do you think it’s a good setup for canon in the first place? Why or why not?

This is going to be a rather long lecture on lore and world building and how the peacock fails on every level, so before we get into that, let's start with the positives. I saw a few people pointed out the Desire idea - that being that the peacock's associated Force should have been Desire while the butterfly got Emotions - and I think that they're absolutely right. That one tiny change does fix the surface level issues and make the peacock make sense for its larger role in the narrative.

It would complicate the whole magical slave thing and also mean that you probably have to rework a few of the minor sentimonsters, but generally speaking, it makes way more sense for Desire to birth a fully realized human being. The sentipeople being people while also coming from a single emotion will always be total BS in my eyes.

At the same time, I blame no one for just sticking to canon's lore. Reworking the lore is a serious thing and even I only do it when I'm telling a lore-heavy story. There are plenty of stories where I just stick to canon's nonsense because the lore isn't important.

Now that we've done our positives, let's getting into the negatives! The issue of the day is this: changing the Force from Emotions to Desire doesn't solve the larger problems with the peacock. Problems that we'll now get into. Buckle up, this is gonna be a long one.

Issue 1: Power Diversity

While I would not call myself a superhero expert, I have seen a good deal of superhero and magical girl team shows in my time. Most of you probably have. If you think about the power sets that we see in those shows, then you'll notice that one thing is pretty much always true: every power is unique OR the powers are all closely related in some way. You never do both because the two concepts don't mix. It makes no sense for half of the characters to have totally unique powers while the other half have copies unless there's some sort of special thematic reason for this like siblings sharing a power.

Without that sort of explanation, it just feels weird and it also makes the characters feel redundant. You don't need two speedsters or two supermen! One is enough. Heck, Avatar the Last Airbender takes place in a world where whole civilizations have the same power and they STILL didn't duplicate powers for the core team because they understood that it's important to keep the characters unique.

Miraculous is pretty obviously supposed to be the type of show where the powers don't overlap. Every character gets a unique power that's uniquely suited to them. We even have this confirmed in universe during that confusing scene in the episode Destruction where Orikko - the rooster - tries to explain how his powers work:

Orikko: No, you're mistaken! Time travel is Fluff's power and I can't grant the power that already belongs to another Kwami!

This brings us to the problem with the peacock: it is not a unique power. It's derivative on multiple levels.

Derivation Level One: Akumas

The first and most obvious level is how similar sentimonsters are to akumas. In terms of how they're normally used in the narrative, they're pretty much the exact same power to the point that you literally can't tell which one you're dealing with until someone tells you. The narrative uses them interchangeably with some episodes using an akuma, some using a sentimonster, and some using both.

In fact, I thought that it was really weird that Gabriel didn't switch to maining sentimonsters back in season four. You had akumas breaking their bonds left and right, which is a thing that sentimonsters literally cannot do, making them the obvious fix to this new problem.

To really highlight the whole "indistinguishable power" issue, allow me to highlight some dialogue from Kuro Neko to show that this is very much an in-universe problem:

Cat Walker: You think that's Cat Noir? Ladybug: Of course it's Cat Noir! He must've been akumatized because he regrets having given up his Miraculous!

Ladybug: You'll see once we deakumatize him. (She runs towards Kuro Neko.) Cataclysm his bell, I'm sure that's where the akuma is! Cat Walker: Hang on! (follows her) Ladybug, what if that's a sentimonster? If I use my power on him, he'll lose control and become more dangerous!

Cat Walker: (cringes) What I mean is you're right to doubt, and I agree with you. Until we know for sure whether we're dealing with a sentimonster or someone who's been akumatized, we shouldn't make any brash decisions. (Kuro Neko leaps away.) Let's find out more.

This sort of confusion should be impossible unless it's the result of clever planning by the villain, but that's not what we're dealing with here. Kuro Neko was not about Gabriel tricking the heroes. He sent out a normal sentimonster having no idea that Chat Noir had just quit. And yet Ladybug had no idea that this was a sentimonster. She looked at it and saw an akuma.

Cat Walker also didn't know that it was a sentimonster. He just knew that it wasn't Chat Noir, which was probably the only reason that he thought to question Ladybug and warn her to be cautious. They only realize that it's a sentimonster once they learn that there's a child inside it.

This is canon accidentally telling us that akumas and sentimonster are just straight up indistinguishable unless you see then made or do some experiments to figure out what you're dealing with. That's not a good look if your claiming that each miraculous grants a unique power. It is, however, a great lead in to the second power that the peacock copies: the power of illusions.

Derivation Level Two: Illusions

I said above that it should take careful planning for a sentimonster to be confused with an akuma. While we never see that type of carefully planned setup, we do see sentimonsters used to successfully impersonate humans on several occasions. One example is the episode Optigami which gave us SentiNino and SentiAlec. Seemingly perfect clones of Nino and Alec who did whatever Shadow Moth told them to. We even see a scene where Shadow Moth is telling SentiAlec exactly what to say.

You know who else gives us this type of scene? Rena Furtive in Rocketear:

Ladybug: You said that if Nino could have heard what you were saying, there'd be no misunderstanding? Rena Furtive: Absolutely! Ladybug: How well do you remember what you guys said on the balcony? Rena Furtive: Every. Word. Ladybug: Do you think you could make... a sound illusion? Rena Furtive: Totally.

Is there any doubt in your mind that the peacock can do anything that the fox can do? What's even worse is that the peacock does illusions better than the fox! Fox illusion vanish in a puff of smoke if you touch them. SentiNino was real enough to wield a miraculous because he was a fully corporeal illusion that would have kept on going if he hadn't been snapped away. This brings us to derivation level three: the power of creation.

Derivation Level Three: Creation

The peacock doesn't just outshine the fox, it outshines the ladybug! Lucky charms vanish as soon as Ladybug detransforms. Sentimonsters last forever. The ladybug is only useful in battle as it requires a super villain to cast its cure (which is asinine, but let's not get into that here). The peacock can be used at any time. The ladybug doesn't give you what you want, it just gives you a puzzle to solve. The peacock can fulfill your deepest desires and even create life.

Outside of the extremely specific circumstances that the show gives us - aka an ongoing battle with a super villain - the ladybug is kind of useless. If you want the power of Creation, you're going to use the peacock. This brings us to our second main issue: power balancing.

Issue Two: Power Balancing

The ladybug and the black cat are supposed to be the two most powerful miraculous in existence, but it really doesn't feel like that's true. Sure, if you put them together they rewrite the universe, but that's not part of their individual base power sets. At an individual level, they don't actually feel all that powerful when compared to the butterfly and the peacock. It's more like Marinette and Adrien are smart enough to make their very limited powers work while Gabriel and Nathalie are dancing along easy street and making fools of themselves with every step.

I've mentioned before that I can forgive the butterfly's overpowered nature because this is an episodic show. They want each episode's fight to be unique and interesting and so we have to give them room to have one power set that should be an insta-win card, but isn't because plot.

I can give them that grace once. I cannot give it to them twice.

There is no reason why both the butterfly and the peacock need to feel more powerful than the supposed most powerful miraculous in existence. I've even talked to one person who is rewriting canon with the assumption that the peacock and the butterfly ARE the most powerful ones because they are! Nothing proves this better than the fact that they've both made creations that can copy the powers of the ladybug and the black cat (see: Copycat, Strikeback, Ladybug, Sandboy, Miraculer, and probably a few others that I'm forgetting).

They're also the only miraculous that don't require an active user. You can create a sentimonster or an akuma, then detransform and have a snack while your creation does whatever you need it to do. That's so incredibly broken and such a terrible move in terms of power balancing. Either have all of the powers require active users or, at the very least, have more of a mix of active and passive powers. Why do Mirage, Shelter, and Lucky Charm vanish when their caster's detransform while akumas and amoks stick around? There is no in-universe logic to explain this. It works this way because that's what the writers needed these miraculous to do. A fact that makes it impossible to get invested in the lore of this show.

When designing a complex magic system, you generally don't want "because plot" to be the only answer to why things work they way they do. You want your magic system to feel real and organic to the world. That's how fictional worlds come to life! If Miraculous' magic system was well designed, then you could take it and use it to tell a wildly different story set in the same universe, but you can't. Everything about it is designed around making canon's story work and not around making an immersive world that you can almost believe exists.

There are stories that I wouldn't hold to that standard, but they're mostly short form stories. Anything as big and complex as Miraculous needs to have a solid lore system backing it or else you lose all sense of stakes. A great example of this is the Bunnyx problem where you know that she can show up at any time and reset the timeline even if things are happening in her own past, so why do we need to worry about bad things happening? And how are the ladybug and the black cat the most powerful ones when you have nonsense like time travel and the power to create human-like creatures? Early canon lore was decently solid, but the longer the show goes, the more nonsense the lore gets and that makes me sad because I love good lore.

Some Final Thoughts

You may have noticed that I didn't really talk about the sentikid issue in this post. That's because my dislike of the peacock came long before that fun little twist. While sentiAdrien is yet another great reason to dislike the peacock, it didn't need to be a thing for the peacock to be a terrible idea. Take away the sentikids and you still have an incredibly derivative and lore-breaking power set that never should have made it into the show.

I actually completely redesigned the peacock for my own rewrite which I start plotting back when I was first watching season three, long before sentiAdrein was even on my radar. That's not something that I usually do in my fix it stuff. I usually try to stick close to canon and make more minor tweaks, but the peacock is so fundamentally world breaking that I had no choice but to do a total overhaul. This is already an incredibly long post, so I won't go into that here. I'll save it for another ask that's sitting in my inbox. I'll schedule them to post back to back.

For this post, I'll just end by pointing out that switching the peacock to Desire makes it derivative of and arguably better than the pig, too, since the pig can only tease you with what you want. The peacock actually gives it to you. In fact, I'd say that the peacock may be a better pig even without the switch!

You can also argue that the peacock is better than or at least equal to the rooster and the goat because they're also just variations of the butterfly and the ladybug's power. Like there is legitimatly potential in taking those miraculous and doing an AU where each Kwami's power is an aspect of creation because the powers are so awkwardly intertwined. Probably make the peacock the master and all others spawn from that one or something like that.

Anyway, this is why you can't design powers around characters if you want good lore and a large team! You have to start with the powers and go from there! It's why I edit Nino's character to be more of a protector since that's his supposed True Force! Also because I want him to be more narratively important but that is a rant for another day.